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Fernand Léger

(Argentan, France, 1881 – Gif-sur-Yvette, France, 1955)

Les femmes au perroquet (Women with a Parrot)

Фернан Леже.webp

Glazed ceramic 373 × 570 cm

1954–1960

This monumental ceramic panel by Fernand Léger, one of the founders of Cubism, depicts women with a parrot in the bold colours and strong geometry that defined his singular style.

Before you is Fernand Léger's ceramic panel Women with a Parrot, created in the 1950s. It consists of 77 tiles and measures nearly four meters high and six meters wide.

Léger was one of the key masters of French modernism, a founder of Cubism, and the creator of his own style known as Tubism. His forms resemble pipes and machines, while bright colours and strong geometry make his works vivid and accessible.

Imagine Paris at the start of the 20th century: bustling streets, glowing storefronts, the rhythm of automobiles, and the arrival of new technologies. Léger became the artist of this industrial age. But he also dreamed of a democratic art accessible to everyone. This is why many of his works, including mosaics, stained glass, and murals, were created for public spaces, not just museums.

Smaller versions of Women with a Parrot can be found worldwide: in the Yale University Art Gallery, the Miami Art Museum, and the Musée Fernand Léger in France, which houses the first black-and-white ceramic version from 1951.

Another variation was acquired by the legendary restaurant La Colombe d'Or in Saint-Paul-de-Vence.

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Exhibition guide
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Адамдар және жануарлар. 1997. Кенеп, майлы бояу. 64х105 Люди и животные. 1997. Холст, масл

Almagul Menlibayeva
People and Animals, 1997

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Exhibition guide
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Little Gods from My Mother’s Dress

Almagul Menlibayeva
Little Gods from My Mother’s Dress, 1995

This retrospective not only celebrates the diversity and depth of Menlibayeva’s artistic expression but also highlights how her practice embodies her own identity, which is deeply intertwined with Kazakhstan’s complex history and  transformation from a site of nomadism to one of often forced settlement, as well as her re-imagining of possible futures.

The exhibition unpacks how the artist tries to understand her own roots, socio-political, cultural, and economic, as well as the geo-political situation in Kazakhstan through her multifaceted artistic projects.

Curator Gridthiya Gaweewong

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