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Alicja Kwade

(1979, Katowice, Poland)

Pre-position

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Carrara, Rinde, Verde Guatemala, Alaska White, Schlesisches Marmor, Macaubas, Aurelio Antico / Praha Gold, Rosso Norwegia, Masi, Alaska Red, Wondergrey, stainless steel

2023

In front of the museum's west entrance stands Pre-Position, a monumental installation by Alicja Kwade — nineteen stone spheres inspired by the mysterious formations of Kazakhstan's Torysh Valley.

In front of the museum's west entrance and the steps leading toward Al-Farabi Avenue stands Pre-Position, a monumental installation by German artist of Polish origin Alicja Kwade.

Kwade's art blends science, philosophy, and poetry. She transforms stone and metal into fragile-looking constructions that challenge our perception of time and space.

For this work she was inspired by her journey to the Torysh Valley in western Kazakhstan, a site famous for its mysterious stone spheres whose origins are still debated.

The sculpture is composed of nineteen spheres made from sixteen rare stones sourced around the world — from white Carrara marble to Brazilian quartzite. The largest sphere measures two meters across and weighs eleven tons.

At the center rises a tall metal structure, where the stones appear to float in the air, defying gravity. Their arrangement recalls celestial bodies or models of the solar system.

Pre-Position encourages us to think about our place in the universe and about the connections between science, nature, and poetry.

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Exhibition guide
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Адамдар және жануарлар. 1997. Кенеп, майлы бояу. 64х105 Люди и животные. 1997. Холст, масл

Almagul Menlibayeva
People and Animals, 1997

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Exhibition guide
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Little Gods from My Mother’s Dress

Almagul Menlibayeva
Little Gods from My Mother’s Dress, 1995

This retrospective not only celebrates the diversity and depth of Menlibayeva’s artistic expression but also highlights how her practice embodies her own identity, which is deeply intertwined with Kazakhstan’s complex history and  transformation from a site of nomadism to one of often forced settlement, as well as her re-imagining of possible futures.

The exhibition unpacks how the artist tries to understand her own roots, socio-political, cultural, and economic, as well as the geo-political situation in Kazakhstan through her multifaceted artistic projects.

Curator Gridthiya Gaweewong

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